SCARECROW History:
Scarecrow is a horrorpunk band from Finland, from small town named
Hyvinkää. 
The band was born in new year 1999-2000. The name Scarecrow is based on 
song from the
Misfits band and the logo of the Samhain band. I looked for players 
in my band for about six
months and wanted them to play rough but melodic horrorpunk. 
The mean thing was to make Scarecrow
known as horrorpunk 
band. Of course only the way I wanted it to be! Often in horrorpunk rock
scene 
there is too much copycat bands, lame and fake. Many bands are lacking of 
the vision and
the courage to do their own stuff. I wanted defenetely impact 
on the scene that I adore, so it
would stay alive and get some 
credibility. In almost fifteen years we have made hell of a lot stuff
and seeked 
for melodic ,brutal and fast, but also deadly slow songs. I created Scarecrow 
and it will be as
long as I live. Scarecrow has made several releases, 
hundreds of gigs, 170 songs recorded in studio
and wasted hunred litres 
of blood. We have made a lot, but there is much more to do! 
Jack13
Lineup in studio 2015-2016:
Vocals, Guitar - Jack13
Guitar – Ruho (Azaghal, Frogskin)
Bass - JLNokturnal (Ex-Azaghal)
Drums - Slagh (Misled generation)
Drums – Määttä von Wolfman
SCARECROW RELEASES:
2016 – EXTERMINATORS OF THE YEAR 4000  CD/12" Release: November 2016 82 Records/ DSB Rec.
2016 - Macabre Night 7”+ CD 82 Records
2015 - MaggotBox 2000-2015 2CD 82 Records
2014 - Amores De Vampiros 7"EP 82 Records
2013 - FLESHEATERS III CD DSB Rec/ 82 Records / HPGD Prod.
2009 - THE TERROR CD/12" DSB Rec
2006 - DEADCROW CD/12" DSB Rec
2005 - La morte vivante miniCD DSB Rec
2005 - Tales from the crypt MC Split w/ Lucien
2004 - Fuck the world 7"EP Split w/Sex sex sex DSB Rec.
2004 - Black Chains / Endless spine miniCD Dead Club ristro
2002 - Evil never dies / Creepshow EP 12" DSB Rec
We got chance to participate in release of our hometown including punk
rock and we decided to 
record couple of songs in tight schedule.  I have always loved Troma movies and I  was excited 
about doing song in which Troma influenced. "Return to... Nuke em
high" is  punk rock smash in 
two parts  which was fucking fun
to do! Our new bass player Hellhound had to come to the studio 
at our first meeting and that`s how we got the songs ready.  We didn`t have time to co-produce 
these songs, but what the hell, it doesn`t matter in punk!
Sometimes i can feel that Scarecrow is too much for finnish audience. 
"Amores" EP was at least for myself a hard and ugly push.
Production is rough and sounds like 
Studiolive music. The song "Metal Scum" was made together with
Ruho. The songs for this 
release were picked randomly from all new songs we had. The idea of
"La Maritza" song didnt 
please guys in the beginning, but when we had made a demolition of it
and with good arragement 
we got it working like we wanted to. Recording cover songs is always
very uncertain but 
"La Maritza" was really something from the beginning!  The melody has always been the most 
important thing to me. If there is no melody in the song, it has to be
replaced with brutal rage 
and violence so it would mean something. Melody, rhythm and meaning are
things which are 
leading quite far. We also recorded cover song named "Boys of
Summer" and you can have 
many opinions about the outcome . Among the years we had done many
covers for 
The Misfits, Ramones, Samhain, Ratsia, Riistetyt, Kaaos, Genocide
Superstars, Manowar etc. 
but there are few that have been good enough for releasing.
"Amores" session was the last for 
Grim in Scarecrow, because for now on he will be focusing in his own
black metal projects.
"Metalscum" ja "Jesus,Lucifer and me" we filmed also
as videos.
After "The Terror" we started immediately training new songs
with new drummer Anza. We had 
about twenty songs from we picked fifteen for recording.  At this time Grim composed three 
songs at his own and I did three with Ruho. The rest of songs I made
myself. The sound is more 
metal and aggressive in this release and making the album was hard. It
was made partly at the 
"Cursed Studio" and the recording took over six months.  We left two songs outside from 
the record "My name is kill" and "Doom Mistress"
which was hidden track on Europe version. 
In year 2013 we made "Flesheaters Tour" and visited for
example in Romania and Bulgaria... 
"Flesheaters" cd was also released in U.S.A by H.P.G.D
records. In states we had to release 
Flesheaters as "Flesheaters III" because it was promotion for
some fucking vampire fangs! 
What fucking bullshit is that?! "Skullfuckers" was also
released as video. 
Making of the "The Terror" album was very difficult. The
timing to change  the drummer was bad. We
couldn`t accept the gigs for next year and recording songs delayed.  I had written 25 songs and made 
demolition from them and it felt impossible to rehearse them with the
band.  We splitted the songs in 
two parts containing hard stuff and punkrock songs. Grim wroted two
songs , "I`m not ready to die" 
and "Deadend". The last one leaned outrageously from the song
by GG. Allin.  Zombies-song didn`t 
songs for studio recording but "Frankenstein" and
"Nightmare land" didn`t end up to the album. We 
actually planned to release two albums "Terror" was fast, dark
and aggressive. Project named 
"Horror" would have been the other album in this session, and
it would have been more melodic 
and rocking stuff. But that never happened and it was really time to
relax and take some oxygen.
In six months break I recorded solo project named Panzercrow : The Sound
of horror.   I  took most 
of the songs from the the songs which had left over from the
Terror-recording. "Season of the witch"  
is only song which we had recorded earlier at the very first years. I
played all the guitars and also 
sang every song myself. The drums and the bass were played by JL
Nokturnal from cult band Azaghal. 
"The Terror" album didn`t get so much attention because of the
break we had and after that we had to 
begin everything from the start. But we did an extreme Baltic tour
visiting Lithuania, Poland, Latvia.  
Among "the Terror" album we made also several videos like  "Morgue wedding",
"Zombies" and 
"I'm Not ready to die" which was filmed in -20 degrees
celsius.
Writing the songs for the first full lenght album started right after
"La Morte Vivante" release. 
I had fifteen songs and at that moment our basist Petey didn`t have time
to rehearse songs so he 
was placed with Grim (Lathspell, hautakammio). Grim could play fast and
also slow as death and 
it meant that we had more strong sound in the band!  Grim also composed two songs for the record. 
"Dying world" and "Crematory". "Don't open the
cametary gates" song was recorded first time at 
"La morte vivante" session, but it was left out until the
"Deadcrow" album.  The
"Deadcrow" album 
was made easily. We got the songs on tape in three days at "Cursed
Studio" Hyvinkää. The album 
was released by DSB records, Deadclub distro and an Italian San Martin
records. On vinyl we put 
four fresh, unreleased tracks. Track "Apocalypse" it was
recorded in "Deadcrow" sessions and 
"Zombie go go/ Re-Animator" from "La morte vivante"
sessions. There is also interesting cover 
from awesome "Samhain's song "The Birthing" .  Before "Deadcrow" recordings we
made couple 
of studio sessions, but the songs were never released. We recorded few
covers which came out 
quite strange and I can clearly remember the brutal “Nightmary,” “sex,
drugs and killer clowns”- songs. 
The "Deadcrow" got freaking good judgement worldwide and the
record had much demands. Starting 
from the releasing day we had two weeks round in Germany. We played with
many bands like Blitzkid, 
Rawside, Unkind, So fucking what? and in very different occasions. 
At the time "Deadcrow" was released our action was really
busy.
After recording "La morte" we left first time to play at
foreign lands. In 2006 we played six gigs with 
an Italian band named  The Nerds.
In Italy we played three gigs and in Asti, in bar named
Pussyrock we had really fucking fun playing! The record got good
response and at that particular 
moment  we knew that we would be
ready for full album! . In La Morte-session we recorded over 
ten songs, including outakes "Faceless", "Zombie
go,go" and "Re-animator". Before releasing 
a full length album we had made with J.Loikas/ Crused studio about 50
tracks, so recording 
full length was quite easy with him. "Cursed studio" was doing
good job and the co-operating with 
the band worked fine! We also made our first song with Ruho ”Black
bullet" and it gave some new 
energy for the band. The songs were more aggressive than earlier and we
had thought throat 
singing more. Ruho had finally taken his place at guitarist in the band
and was finding his own 
brutal sound. 
In these sessions all didn`t go right. 
Actually everything went wrong and I must blame too much 
hurry. We didn`t prepare enough for studio recording.  We had some great songs and some things 
that advanced us as a band, but the outcome was not good. We released
the record as simple cd 
including these both EP:s. At the time I was concentrating more in the
singing because playing 
guitar and singing did`nt quite work for me especially at the gigs. From
these sessions also left 
over some tracks and they were released on some small collections which
I have nowadays 
no clue. These songs may be those, which later are difficult to find for
own collections. Among 
these sessions Ruho (lathspell, Hautakammio, Kaatopaikka, Frogskin) became
stabled as 
guitarist in our band although he originally had played drums in our
first training in 1999. 
We also made fucking weird music video from song "House 666",
but also that has disappeared.
The split with "Sex sex sex" was something that I could`t
earlier imagine. 
It was very underground band and almost as old as I am.
"Creepshow" was our first real studio session and we recorded
that 2002 on trio. I played all guitar by 
myself. Ruho was on outer space and we practiced all songs without him.
We recorded couple of 
supershitty demos on our first years. Creepshow is recorded at Cursed
studio and songs were more 
hevier and faster than on early demos. We found that famous redstring.
We were really excited about 
Creepshow and I knew that we could do much better songs and sessions
would be so easy.
Ofcourse Ruho's guitars on "evil never dies" session gave more
good sound. Five month after 
Creepshow we came back to studio to record "evil never dies".
I didn't want to even think about 
making full lenght album at those times. We recorded about ten songs in
evil never dies sessions.
Writing is easy for me, i love writing new songs. We made 200 copies of
"Evil never dies" on D.I.Y.
I Sent one copy to Devils shitburner records (Germany) and Frank, the
master of label wanted to 
release that on vinyl. I Already knew the label because I love band like
Sex sex sex and 
Genocide superstars, so i was so happy to our cooperations. "Evil
never dies / Creepshow" 12" vinyl 
is our first official release. DSB records gave us more energy and again
only in six  months  we were 
back in the studio. We made much gigs around Finland those days and we
also recorded several 
studio sessions.  
I Think END Session was great and we played several years those songs at
our shows. 
Also "Fuck he world" Split 7" with Sex sex sex was
unbeleavable. Sex sex sex is very good ultra 
underground band from Sweden. Scarecrow's DSB vinyl releases was one of
my dream come true 
moments. Early years all people assimilated us to Misfits and it was ok
to me, although Misfits 
was in my opinion, the best band in the world!  At the latest "Deadcrow" we were on
our own, 
never mind the Misfits..
Samsam got his first drumset on xmas 1999 and he hasn`t played drums
never before in his life and 
he was around fifteen years old. He came to play in Scarecrow and four
month later we played our 
first gig.Samsam`s playing was based on power and aggressive physics and
at the moment it was 
part of the stage show. The drums got totally broken. At our first gig
we had Tom in vocals and 
                                         
James playing bass in group of five boys. 
                                                
I was playing guitar with Ruho and 
                                                   
I did also of course the backing vocals.
 Jack13
 










 
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